Exhibitions

Veil of Veronica

2024-07-20 -> 2024-08-24

Big Ramp is pleased to announce Veil of Veronica. A joint show of paintings by the artists Conor MacCormack and Lindsay Thomson. The Veil of Veronica often called simply the Veronica, is a Christian relic consisting of a piece of cloth said to bear an image of the Holy Face of Jesus produced by other than human means (an acheiropoieton, "made without hand"). Various existing images have been claimed to be the original relic, as well as early copies of it. According to the Catholic Encyclopedia, the name "Veronica" is a colloquial portmanteau of the Latin word 'vera', meaning "truth", and Greek 'eikon', meaning "image"; the Veil of Veronica was therefore largely regarded in medieval times as "the true image", and the truthful representation of Jesus, preceding the Shroud of Turin. Repetition and symbolization as tools for enlightenment and truth-seeking are crucial aspects of both Conor and Lindsay’s artistic practices. Both artists work in a range of mediums but primarily focus on painting and drawing. The works range in scale and in surface, from the body referential stretched canvases, to the collections of small works on paper. Using symbols, similar in form and function to those found in traditional depictions of Jesus, they are able to uncover the inherent paradox: the artistic act that feels both essential and somewhat futile, an effort marred by the impossibility of achieving true replication or understanding. The works in Veil of Veronica play with these clichés and confessions, navigating between them without seeking resolutions, allowing contradictions and layers to coexist and inform each other.

"The Magic of the Sun Playing with the Moon"

2024-05-11 -> 2024-06-22

BIG RAMP is pleased to announce “The Magic of the Sun Playing with the Moon”, curated by co-directors Alexandra Schoolman and Michelle Anne Harris. Call it what you will — science, the divine, synchronicity, magic — but there was a shared sense of awe this past April 8th in the northern hemisphere when for a maximum of four minutes and thirty seconds the light of the Sun was shielded from Earth by the Moon’s cratered surface. The perfection of proportion, the sun being 400 times bigger than the moon and 400 times further away, is equally impressive and daunting. BIG RAMP’s exhibition, opening six weeks after this celestial display, acknowledges how the two most important astronomical bodies to our planet also have a relationship with each other.

"Will You Share Rage with Me?"

2024-04-13 -> 2024-05-11

"Will You Share Rage with Me?" literally and figuratively explores what it is like to live in multiple places at once. Yaqeen Yamani’s recent body of work was designed for her final MFA thesis at Temple University. Featuring the piece "Disclaimers Prevent Me from Showing Work Here" installed at Temple Contemporary April 10-13th, the rest of her pieces will be on view at Big Ramp Philly and Information Space from April 13-May 11. After a fellow student installed a banner at Stella Elkins Gallery celebrating Puerto Rican and Palestinian solidarity in October 2023, Temple University began installing a disclaimer next to the work reading “Artwork on display at the Tyler School of Art and Architecture reflects the viewpoints of the credited artists and not necessarily the viewpoints of the school or Temple University.” The disclaimer is a poignant reminder to Palestinian and South-West Asian North African (SWANA) artists that cultural institutions have never been neutral or inclusive spaces. Yaqeen’s artwork, "Disclaimers Prevent Me from Showing Work Here", ironically does “reflect the viewpoints of the university” spotlighting how art spaces weaponize gallery text to control narratives of Black and Brown artists, whose existence can inherently call the institution’s politics into question. For Palestinian artist Yamani, the work responds to and interacts with the presence of disclaimers as a tool for censorship and reflects Yamani’s unwillingness to work in spaces that show no support for Palestinian resistance and freedom. Through the refusal to show the full thesis in Temple Contemporary and leave the allotted space empty, Yamani responds to the failure of art spaces and academic institutions to acknowledge Palestinian voices and leans into spaces of solidarity and support.

"Death Card"

2024-01-23 -> 2024-03-12

Big Ramp is pleased to announce our inaugural exhibition DEATH CARD, a curatorial collaboration with our neighbors and fellow gallerists at Information Space. Spanning both spaces (which share a party wall), the exhibition features the work of eight artists working in various types of object and image making, spilling into the two interiors with both frenetic fervor and quiet presence.